7 inch single collection: L7 - Shove

Here comes some grunge...


L7


A: Shove
B: Fast
(Sub Pop 1990)


Grunge...Grunge...Grunge - what a word - it's so evocative. It's a messy, sludgy kind of word, all rough and ready, noisy, no airs and graces, just plaid shirts and old jeans. This single word encapsulates a style of music , so completely, that even people who've never heard this music know exactly what'll it'll sound like from the name. Part punk, part metal, and all attitude.

Seattle based label Sub Pop were the prime purveyors of top quality grunge, being home to Mudhoney, and the nascent Nirvana amongst others. L7's early career, as seen on this record, also had them spend some time with this cult label.

L7 were (maybe still are - not sure of their current status) an all female grunge band, who had some minor success in the charts. They had a very memorable appearance on "The Word" performing Pretend We're Dead - look it up on YouTube. That was a little after this record though, and when they'd moved to a more rock/metal sound and had reduced some the punk elements (the sound, if not the attitude!)

Shove is loud and heavy. The music has a viscous lava-like quality - it's hot, sludgy thing that rolls inevitably forward, anything in the way is just going to get rolled over. The lyrics match this feeling, going beyond the assertive, and well into the aggressive, and because of that it's feminist without pushing the political cause, by which I mean these women making this record stands as feminist statement without actually anyone saying this is what it is. Very much action rather than words - impressive. In it's own way it's prototype for the riot grrrl movement which would emerging from grunge around this time.

One the other side of the record is Fast (apparently slightly different to the LP version, called "Fast and Frightening"). Yes, it faster than the a-side, it's got a raucous fluidity of sound, still powering hard onwards, and with nothing to stop it. Whereas Shove announces its presence as it lumbers scarily towards you, Fast is upon you before you know it. It's as 'in your face', with maybe a little less aggression than the a-side.

I was going to say that this is a great grunge record, but actually it's a great record full stop. Melodically and lyrically it's strong and bold statement that sticks around in your head for a long while after.

Next time the archetypal indie miserablists...

7 inch single collection: The Farm - Stepping Stone

As promised, over 3 years ago some baggy Scousers...

The Farm

A: Stepping Stone

B: Family of Man
(Produce 1990)

I don't anything about the history of The Farm, but if any artist screams "We're jumping on to indie/dance (Baggy) Bandwagon" more loudly then I can't think of then.* Just look at that record sleeve - surely even the designer is taking the mickey: its a sheep! A sheep wearing the silly hat, baggy jeans, and trainers uniform of the baggy crowd. Just in case you're thinking, but they're called The Farm, and it's a sheep - surely that's reasonable? Just go and find the album cover - it's designed to look like generic brand washing powder - it's basically saying here's some more similar product to go on the shelves.

Let's not worry about that now; what else do I know about this band. Not much except I can tell you they made one good record and one famous one - this record is neither...

You may recognise that name - Stepping Stone - it's that song beloved of many a garage band in the late 60's. Most famously recorded by both The Monkees and The Sex Pistols. The songs starts off with some fake phone call samples a twang of bass, and then a twang of guitar - and sounds quite promising, then the drums break into a slouchy shuffling rhythm that persists throughout the song. At the same time an insistent bell-like ringing noise kicks in and just doesn't stop - it's like rhythmic tinnitus. Once the band is locked into this lolloping groove it's not too bad, until the singer starts up. You may be familiar this song - lyrically it can be interpreted as arrogant and aggressive, or alternatively, painfully self-delusional. The Farm have decided to interpret is as boredom - because there's no energy or passion in the singing, just "Ho, Hum - you're using me then, fair enough". I'm a big fan of taking an old song and doing something new or different to it - but this feel more like nicking someone else's lyrics and sticking them to your own tune out of sheer laziness.

It's a double a-side, this time, and on the other a-side is Family of Man. This starts off with some house-style piano, and a pretty good, if slightly generic baggy groove gets going, and then, as before, the singer starts up, and the whole thing falls a bit flat. The overall effect is dullness. I kind of stopped listening until a few seconds before the end when from out of nowhere, this screaming hard-rock style guitar solo bursts in all very showy and completely incongruous. Just, NO!

It's not the worst record in my collection, and I was rather fond of it back in the day, but that fondness has diminished over time, and now it's one of those records that commits the cardinal sin of being a bit dull really.

*Yes, I can actually - it's Northside (eventually to be covered in a later blog)

Next time a bit of obscure pop-punk/new wave from the turn of the 70's...